Larks' Tongues in Aspic is a 1973 album by the British progressive rock group King Crimson. This album is the debut of King Crimson's third incarnation, and features original member and guitarist Robert Fripp and new members John Wetton (vocals, bass), David Cross (violin, mellotron), Jamie Muir (percussion), and Bill Bruford (drums), as well as lyricist Richar Palmer-James.

Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, originally released in 1973. This album is the debut of King Crimson's third incarnation, featuring original member and guitarist Robert Fripp and new members John Wetton (vocals, bass guitar), David Cross (violin, Mellotron), Jamie Muir (percussion), and Bill Bruford (drums). Nicki minaj full album download.

The album sees the band incorporate into its sound violin and also various exotic percussion instruments, including sheet metal and mbiras. The title was invented by percussionist Jamie Muir and is meant to signify what he heard in this album's music: something fragile and delicate (larks' tongues) encased in something corrosive and acidic (aspic).he album opens with a long experimental instrumental piece titled 'Larks' Tongues in Aspic, Part One.'

After that there are three vocal pieces, 'Book of Saturday', 'Exiles' and 'Easy Money.' These are followed by two more instrumentals, 'The Talking Drum' and 'Larks' Tongues in Aspic, Part Two.' The instrumental pieces on this album have strong jazz fusion influences, and portions have an almost heavy metal feel.

King Crimson - Larks' Tongues In Aspic (1975)(30th Anniversary Edit 2004) King Crimson reborn yet again — the newly configured band makes its debut with a violin (courtesy of David Cross) sharing center stage with Robert Fripp's guitars and his Mellotron, which is pushed into the background. The music is the most experimental of Fripp's career up to this time — though some of it actually dated (in embryonic form) back to the tail end of the Boz Burrell-Ian Wallace-Mel Collins lineup. And John Wetton was the group's strongest singer/bassist since Greg Lake's departure three years earlier. What's more, this lineup quickly established itself as a powerful performing unit working in a more pure ly experimental, less jazz-oriented vein than its immediate predecessor.

'Outer Limits music' was how one reviewer referred to it, mixing Cross' demonic fiddling with shrieking electronics, Bill Bruford's astounding dexterity at the drum kit, Jamie Muir's melodic and usually understated percussion, Wetton's thundering (yet melodic) bass, and Fripp's guitar, which generated sounds ranging from traditional classical and soft pop-jazz licks to hair-curling electric flourishes. [The remastered edition, which appeared in the summer of 2000 in Europe and slightly later in America, features beautifully remastered sound — among other advantages, it moves the finger cymbals opening the first section of the title track into sharp focus, with minimal hiss or noise to obscure them, exposes the multiple percussion instruments used on the opening of 'Easy Money,' and gives far more clarity to 'The Talking Drum.' This version is superior to any prior CD release of Larks' Tongues in Aspic, and contains a booklet reprinting period press clippings, session information, and production background on the album.].Bob Hope Codec: mp3 Bitrate: 320 kB/s Size ca.: 106 MB Genre: Progressive Rock Cover: Front Tracklist: 01. Larks' Tongues In Aspic, Part One 13.35 02. Book Of Saturday 2.55 03. Exiles 7.40 04.