Please buy official single/album to support the artists, all content in this blog is for promotional purpose only, we dont responsible for all users. Find the Best J-Pop Albums on AllMusic. Not to be confused with such hip genres as shibuya-kei, Japanese Pop is mainstream pop music made in Japan.

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Honorable Mention: Kinoko Teikoku – 愛のゆくえ Kinoko Teikoku has been one of Japanese indie’s biggest exports over the past four years. In that time they have made their way from alt-rock to shoegaze to pop-rock, before finally landing on a uniquly Kinoko brand of dream pop with last years 猫とアレルギー. With 愛のゆくえ, it looks like they’ve finally settled down for a moment (minus the tinges of Dub influence). The sound, a more refined version of that occasionally shoegazey and harsh brand of dream-pop, is incredibly forlorn, and lost-in-the-clouds, with crashing-to-the-ground change ups as guitars often come bursting into the mix. It’s not nearly as experimental, or scene-defining as their first few albums, but immensly rewarding in its own, more refined way. And the first of their major label efforts to provide an entirely satisfying experience from front to back.

The time to sit back and refine on a singular sound has apparently done them well, as the album’s short 9 tracks feel honed, and absolutely necessary as a singular unit, managing to capture both Kinoko’s pop sensibility and experimental tendencies together in harmony. Similar to: Beach House, My Bloody Valentine, and Asobi Seksu.

Manual de psihologia muncii si organizationala zoltan bogathy pdf software. The Gerogerigegege – 燃えない灰 (Moenai Hai) Absolutely essential 80s and 90s noisecore outfit Gerogerigegege returns after 17 years of album silence with another completely unexpected effort. Merging dark ambient, noise rock, and field recording into four, eight minute plus tracks, Gerogerigegege makes no effort to settle back in, or make anything less than the most boundary pushing music possible. The ambient moments are haunting and unsettling, with aching metal and concrete being washed over silent tape recordings, and muddy synth washes.

And they only serve to keep you feeling on edge enough to scare the actual daylight out of you when the massive, ear-splitting noise rock comes ripping in unexpectedly and without warning. Distorted screams, and wails ride over guitars so gargantuan and distorted they make look like heavy metal. Moenai Hai is an album that incredibly picks up as if 17 years hadn’t passed, while simultaneously sounding like something that could have only existed in 2016.

Similar to: Sunn 0)), Boris, Ben Frost, and Painkiller. Uyama Hiroto – Freeform Jazz Frequent collaborator of internationally renowned hip-hop producer Nujabes, Uyama Hiroto has been working hard to get himself outside one of hip-hop’s biggest shadow since Nujabes unfortunate, and untimely death. It doesn’t help that Uyama Hiroto makes music in a very similar field to Nujabes, so his name pops up quite often when people are looking for more music “like Nujabes”. But with Freeform Jazz, Uyama takes a big step into his own legacy. Where Nujabes was a master of finding the perfect groove, and sample flip, and then giving it the minimal layerings on top, Uyama instead creates some of the densest instrumental jazz hip-hop out today. Layers of brass sit over complex rhythms, and waves of dreamy synth.

It’s hazy, and laid back enough to let you close your eyes and relax to, but the flavor of it is really unique, it’s not background music to work or sleep to, it has this propulsion that makes you want to get up and walk through the city, it’s the perfect NY Subway album if you get what I mean. Similar to: Nujabes, Madlib, and Pete Rock.

Metafive – Meta Do you like your pop music retro and smooth? Would you describe as your “banger of the year”? Than Japan’s newest supergroup is making music for you. Formed by Yukihiro Takahashi, lead singer of legendary japanese synth-pop group Yellow Magic Orchestra, and consisting of some of the biggest names in Japanese electronic music, including Keigo Oyamada of, Yoshinori Sunahara of,,,.

Together they make the smoothest, 80’s styled progressive pop music of the year, in Japan and across the world. Every synth note is shimmering and silky, every vocal performance high-pitched, and sex filled. And on top of that incredibly physical, and immediate music, it features some of the most progressive pop instrumentation coming out of Japan right now, and that’s quite an achievement in Japan’s world of pop experimentalism. The lead vocals of Leo Imai are sung primarily in English, and demonstrate a commendable sense of tone, and force, as he rises over a wall of musical ideas to grab at your attention. They serve as a nice contrast to the much more refined, and textured vocals of Yukihiro Takahashi. Despite the incredible diversity of talent in Metafive, they seem remarkably singular in their vision, building songs that feel labored on, and pulled back for the lead singer to stake his claim on. A breath of fresh air after a lifetime of supergroups doing nothing but disappointing.