Discover releases, reviews, credits, songs, and more about Jefferson Airplane - Surrealistic Pillow at Discogs. Complete your Jefferson Airplane collection. Jefferson Airplane — Comin’ Back to Me. Jefferson Airplane — Today. File size: 7.11 Mb.

Album Features UPC 25 Artist Jefferson Airplane Format CD Release Year 2003 Record Label BMG Heritage Genre Folk Rock, Rock & Pop Details Playing Time 58 min. Producer Tommy Oliver, Rick Jarrard, Bob Irwin (Reissue), Matthew Katz Distributor BMG (distributor) Recording Type Studio Recording Mode Stereo SPAR Code n/a Track Listing Disc 1 1. She Has Funny Cars, 2. Somebody to Love, 3. My Best Friend, 4. Comin' Back to Me, 6.

3/5 of a Mile in 10 Seconds, 7. How Do You Feel, 9. Embryonic Journey, 10. White Rabbit, 11. Plastic Fantastic Lover, 12. In the Morning, 13. Go to Her - (version two), 15.

Come Back Baby, 16. Single version) Somebody to Love - (mono, 17. Single version) White Rabbit - (mono.

• ' Released: April 1, 1967 • ' Released: June 24, 1967 Professional ratings Review scores Source Rating B+ Surrealistic Pillow is the second album by American band, released on February 1, 1967, by (LSP-3766 [stereo] and LPM-3766 [mono]). It is the first album by the band with vocalist and drummer. The album peaked at number three on the and has been certified a by the. Original drummer had left the band in mid-1966. He was soon replaced by Dryden, an experienced Los Angeles jazz drummer and the half-nephew of.

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New female vocalist Slick, formerly with another San Francisco rock band, joined the Airplane in the fall of 1966. Slick, Dryden, male lead vocalist, guitarist-vocalist-songwriter, lead guitarist (and occasional vocalist), and bassist formed the core of the best-known line-up of the group, which remained stable until Dryden's departure in early 1970. The album is considered to be one of the quintessential works of the early and eras. Contents • • • • • • • • • • Production [ ] Jefferson Airplane's fusion of and psychedelia was original at the time, in line with musical developments pioneered by,,,, and, among other mid-1960s rock bands. Surrealistic Pillow was the first blockbuster psychedelic album by a band from San Francisco, announcing to the world the active bohemian scene that had developed there starting with during the 1950s, extending and changing through the 1960s into the counterculture. Subsequent exposure generated by the Airplane and others wrought great changes to that counterculture, and by 1968 the ensuing national media attention had precipitated a very different San Francisco scene than had existed in 1966. San Francisco photographer photographed the band for the album's cover art.

Some controversy exists as to the role of guitarist in the making of the album. His reputed presence on several tracks is denied by producer Rick Jarrard, but he is credited on the RCA label copy and received credits on the compilation and the box set. In his sleeve notes for Early Flight, a 1974 compilation album of previously unreleased material, manager Bill Thompson writes only that Garcia was 'listed as 'spiritual advisor' on the album cover [and] played one of the guitars' on 'In The Morning,' a Kaukonen composition that was released on Early Flight and subsequently included on the 2003 reissue of Surrealistic Pillow. Garcia himself recalled in a mid-1967 interview that he played the high lead on 'Today' in addition to playing guitar on two other songs ('Plastic Fantastic Lover' and 'Comin' Back to Me') and rearranging 'Somebody to Love.' He also played on 'J.P.P. Blues' (included on Early Flight and the 2003 reissue) and may have played on 'How Do You Feel.'