Ian Gillan Mr Universe Rar
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Genre: Hard Rock Rate: 320 kbps CBR / 44100 Time: 01:20:06 Size: 183,21 MB Review by Alex Henderson Leading his own bands in the late '70s and early '80s, Ian Gillan continued to embrace music that, not surprisingly, was heavily influenced by his former band, Deep Purple. And he never sounded more Purple-ish than he does on Mr. Universe, which isn't quite on a par with Purple's Burn but is stronger than many of the albums the outfit had recorded after Gillan's departure (some of which were quite disappointing).
This is Gillan at his most aggressive and passionately rockin'. Those with fond memories of his work with Purple will appreciate the testosterone-driven energy of 'Vengeance,' 'Roller,' and 'Message in a Bottle.' Headbangers shouldn't overlook this one. Tracklist: 01 - Second Sight 02:34 02 - Secret Of The Dance 02:56 03 - She Tears Me Down 05:09 04 - Roller 04:44 05 - Mr. Universe 06:14 06 - Vengeance 03:37 07 - Puget Sound 04:24 08 - Dead Of Night 04:06 09 - Message In A Bottle 03:11 10 - Fighting Man 07:27 11 - On The Rocks (Live) 06:33 12 - Bite The Bullet (Live) 05:26 13 - Mr.
Universe (Live) 07:14 14 - Vengeance (Live) 04:26 15 - Smoke On The Water (Live) 08:47 16 - Lucille (Live) 03:18 Enjoy the music!
Ian Gillan seems almost surprised at how much Gillan packed into such a short space of time. “We did five albums in just three years,” says the vocalist. “That seems like a lot these days. But back then, it was almost taken for granted.” As singer, band leader and focal point, Gillan now has nothing but the fondest memories of the period.
“We had so much fun, and everyone involved with the band was great to work with at the time. I loved what we did. And we had such a large, loyal fan base. I’m sure they’ll appreciate digging out these albums from the vinyl box set and playing them again.” But the man who fronts Deep Purple now is less certain about any possible Gillan reunion. “I can see us meeting up for a drink, if that’s what you mean by reunion. But as to playing together again I doubt that’ll happen.
Apart from anything else, where would I find the time? I am now in the happy position of turning down offers,. “Maybe it’s also a good thing to leave people with their great memories of Gillan, the gigs we did and these albums we recorded.” is released on October 21, and can be.
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Universe (1979) “I think the catalyst for this album was the song Fighting Man. Colin Towns (keyboards) wrote it out of frustration, and as soon as I heard this, I really liked where it was going.
But the rest of the band at the time laughed and took the piss out of it. You see, Fighting Man was very different to the style of music we were playing during the late 70s, which was in the jazz fusion area. However, I felt this more rocking direction was where we should be going, and the fact the others believed it was a joke was enough to convince me we had to dissolve the line-up and revamp the band. And Gillan, as everyone knows it, was born. “We actually recorded the whole album without a record deal. Once it was done, myself and my co-managers, Phil Banfield and Carl Leighton Pope, phoned up every label and music publishing company trying to get interest in the album. But nobody wanted to know.
Until we finally got in contact with Acrobat, who said they’d take it. So, they released it, but within a week it had disappeared; the company hadn’t paid the pressing plant. However, it had done well enough just in that one week to convince all those labels who had rejected us to get back in touch and say they now wanted Mr.
In the end, we signed to Virgin, who did a great job in marketing the record.”. Glory Road (1980) “Ah, our first proper album for Virgin. It has Unchain Your Brain on it, and that’s one of my favourite rock songs of all time. It was just so fast. Ritchie Blackmore once said that writing a mid-tempo song is easy, but doing a fast one is hard.
Well, it doesn’t come much faster than this. I remember getting Joe Satriani in to do the guitar part when I re-recorded this for Gillan’s Inn (2006), and he couldn’t believe how fast the tempo was. “The cover for Glory Road was interesting. We had a rubber stamp of the logo we’d use on letterheads when writing to fans. Now, Virgin had commissioned a young design company to come with the cover, and they had several ideas. None of which we liked.