1956 - Ellington at Newport CD1: Download 1956 - Ellington at Newport CD2: Download 1957 - Such Sweet Thunder: Download 1959 - Anatomy of a Murder: Download 1959 - Duke Ellington & Johnny Hodges - Side by Side: Download 1959 - Live At The Blue Note CD1: Download 1959 - Live At The Blue Note CD2: Download 1959 - Side by Side (w.Johnny Hodges. Find album reviews, stream songs, credits and award information for Never No Lament: The Blanton-Webster Band - Duke Ellington on AllMusic - 2003 - Never.

The great and his longtime musical partner performed such musical feats of strength together over the course of nearly three decades that they can seem to dwarf many of their contemporaries. The two co-composers had a knack for turning popular music—jazz, ragtime, the blues—into high art, then transmuting it right back into pop again, via three-minute blasts of swing like their most famous tune “.” In some respects, Ellington and Strayhorn's compositions are like that of writers who harmonize hip vernacular, popular idiom, and The Great Tradition into works that feel thrillingly fresh and timeless all at once. Ellington, the CBS radio announcer at the beginning informs us, was first spurred by his attendance at the in 1956. But he had been a devotee of theater, and of Shakespeare, for many years.

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Strayhorn, it seems, was even more so. Spellman tells us that Strayhorn “was deep into Shakespeare [] could quote whole sections of plays [.], vast numbers of sonnets from memory, at the drop of a hat.” Immersed not only in theater, but in classical music, Strayhorn’s first ambition was to become a classical composer.

While the color barrier stifled that dream, his move into jazz was certainly no compromise. Strayhorn and Ellington “were so attuned to one another musically,” writes a, “that it is now impossible to establish the exact extent of the former’s contribution to Ellington’s oeuvre.” (Ellington called Strayhorn 'my right arm, my left arm, all the eyes in the back of my head.'

) Given Strayhorn’s deep knowledge of Shakespeare’s work, it’s probably fair to assume that his contribution to Such Sweet Thunder was significant. Above, see selections from a 1959 performance in Switzerland, and just below, see a 1960 avant-garde ballet choreographed to Ellington and Strayhorn’s Shakespeare suite by, another artist with a particular talent for bringing high art themes and styles to popular audiences.