Don Caballero. American Don. Currently 0.0/5 Stars.

Don Caballero is an instrumental rock band formed in Pittsburgh, PA, in 1991. They are considered one of the pioneering forces in 'math-rock', they are often categorized as math rock, though the band dislikes this label. The band's sound was dominated by the'lead drumming' of Damon Che and was noted for it's odd-timed rhythms and intricate and complex guitar interplay.

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Also of note was guitarist Ian Williams guitar-playing, which relied heavily on a finger-tapping approach used for the rhythm playing (there are no solos in Don Caballero's music) and heavy use of a delay pedal. Despite an appearance to the contrary, the group's songs are not improvised jams but are structured works.

'Don Caballero 2' is commonly regarded today as their masterpiece.

Several years ago, Michael Jackson told reporters that he incessantly grabs his crotch because he is a 'slave to the rhythm.' While this statement went largely unnoticed-- probably due to the fact that Jackson's public image at the time was more closely related to his choice of 'friends'-- those four little words came to me at the perfect time.

As I was rapidly becoming more obsessed with music, my physical reactions to music were amplified as well, and before long, anything with even a twinge of rhythm had me dancing around like a caffeinated flea. Needless to say, this didn't do much for my social life-- I became something of a circus freak, 'that weird guy with headphones.'

To make matters worse, I had yet to come up with an acceptable wise-ass response to the question, 'What the fuck is your problem?' Thankfully, the King of Pop came through for me. Yes, 'I am a slave to the rhythm' certainly did its job, eliciting knowing chuckles from those well-versed in pop culture, and quizzical stares from everyone else. I thought I had the whole thing worked out.

Until Don Caballero entered my life. Despite the relative spaz factor of my movements, there had always been a pretty constant rhythm behind the music I listened to, assuring that no matter how goofy and awkward I looked, there was always at least a discernable rhythm to my soulless twitching.

But when Don Caballero's What Burns Never Returns found its way into my collection last year, any shred of dignity that might have remained quickly disintegrated. Layer upon layer of paroxysmal rock guitar, coupled with Damon Che's insanely inventive drumming, left my nervous system in tatters and my body seizing in suitably bizarre patterns. Suddenly, being a slave to the rhythm just wasn't enough. I had become a slave to Don Caballero. And what a blissful servitude it was. The band combined the driving, distorted guitars of heavy metal with the intricate arrangements and percussive elements of post-rock.